Romeo and Juliet Essay Example for Free

Romeo and Juliet EssayThe story of Romeo and Juliet has been intellect kn have got for many another(prenominal) centuries. It has been interpreted and suited by many people, including Shakespe be himself Two of the most(prenominal) famous versions atomic number 18 the 1968 record by Franco Zeffirelli and the 1996 film by Baz Luhrmann. Each director has adapted the story for his own purposes. I am going to study how these dickens films have interpreted Shakespe argons play in a new-fashioned style for a modern audience. I feel that each version will appeal to a different audience comp ard to the other. Language for example, should be closely reviewed as it has to be appropriate for the humour of the busy time in each film. This is beca subprogram puns were genuinely popular in Shakespearean times so end-to-end the play there is a great get away used. In the source scene Capulets servants, Sampson and Gregory, joke unitedly by u boobg puns. Here are two examples of the way they use them I strike immobilely, macrocosm moved But kibibyte art not quickly moved to strike. And I will be civil with the maids I will cut off their heads. The heads of the maids? Ay, the heads of the maids, or their maidenheads, take it in what sense thou wilt. A modern audience however, would not discern this humorous so the directors would have had to accommodate to this and adapt to it. The use of common, everyday language has similarly changed dramatically since the 16th Century so people directly would not necessarily understand the p take if they went to watch Romeo and Juliet in its original theatre form. Zeffirelli and Luhrmann both kept Shakespeares language in their films, which was a great risk to take if they were to be box-office successes. I reckon Zeffirelli did this because the film was based in medieval times so the language reflected this.Luhrmann however, thought that language was very eventful to the story and he did not want to lose the Shakespearean idea and effect of the play. In the prologue Shakespeare conveys the schema of the story and marks it clear that fate has doomed the two lovers. Again, each film version has been adapted in very different ways to fit their audience. The first scene establishes the quarrel between the two families and introduces Benvolio and Tybalt who are telephone lineing characters- Tybalt being very aggressive and ruby and Benvolio being a peacemaker.Each filmmaker created their own idea of the two characters with Zeffirellis remaining more in-safekeeping with the original play and Luhrmann interpreting the two characters as contemporaneous American gangsters especially Tybalt. The prologue of Zeffirellis version is very calm and peaceful it begins with an aerial view of the city and pans nearly it as the voice-over reads the famous passage that begins Two households, both alike in dignity in a dull and unemotional tone. The scenery is very romantic and the television came ra uses soft lens to show this. The citys computer architecture is shown to be medieval and visually beautiful.The symphony too is very renaissance and one of the practice of medicineal themes is established. The backing Romeo and Juliet that appears on the screen is written in old, medieval and rather gothic lettering in keeping with the setting. Overall, the prologue is dull and dreary and I do not feel that it would appeal to a wide audience. However, it is very a great deal the same as Shakespeares as Zeffirelli has not made any extreme changes. Baz Luhrmanns prologue however, is the complete contrast it begins with a shot of a 1950s T. V broadcast showing that it is a modern alteration of the play.The news reader because announces the plays prologue like a 60 second segment as divorce of the local news. It hence moves onto a confusion of images one after another as the pace increases dramatically. The music builds to a crescendo, which increases the tension and rubor, in tone the music is s startly religious.The characters are introduced in freeze-frames, which seems like a typical American modern programme. There are many violent images portrayed to establish, like Shakespeare does, a long running feud between the two families, many of which are religious symbols (e.g. Christ, Virgin bloody shame and the Capulet and Montague buildings with Christ statue in between).Newspaper headlines also reinforce images. Through the blur and rush it shows a lot of destruction and fire and a violent society is shown through images for example, magazine covers. Baz Luhrmanns prologue sets the scene of the play by illustrating the violence occurring between the two wealthy families, the Montagues and the Capulets. Overall, Luhrmanns is fast-paced and very exciting, thus keeping the viewer intrigued and wanting to watch more.Zeffirellis first scene is very different from the prologue it moves from being calm and sadistic to a shattering, sprightly and bustling market place. It is an authentic mise-en-scene, which seems very medieval. There is a lot of laughter that appears more juiceless than genuine. The characters are introduced from their feet upward including Tybalt later on in the scene. The Capulets begin the scene and are erosion bright, light and rather clownish clothes their main use of colour is orange. The Montagues clothes however, are dark and sombre with colours such as navy/dark blue.The sexual humour in Shakespeare is not beat in the Zeffirelli version as a modern audience would not understand and would not materialise it humourous. As the puns are omitted, humour is introduced through images and action, for example a modern audience may find the costumes funny because they are authentic and medieval (this makes it seem more realistic). The fight scene is made more exciting by involving the audience through the use of a hand-held camera and slightly shots are out of focus to add to the atmosphere and tension as if t he audience is part of the crowd.During the fight it is exceedingly noisy there are bells ringing, rallying cries and lots of shouting and ambient sound makes it seem realistic. The Prince then arrives on a horse and the camera shot is looking up to make him seem powerful. Zeffirelli succeeds in accomplishing the interpretation of Shakespeares play as it appears very realistic and he has kept to the storyline. Luhrmanns next scene opens with the Montague Boys behaving loud and aggressive and very much in the mood to enjoy themselves.They arrive at a ordnance station which is a perfect, modern location to incorporate Shakespeares original text that says Verona A public place. The camera zooms in on the numberplate of the car which reads MON 105 with Verona Beach underneath. This clearly illustrates what gang they belong to. The Montagues are wearing colourful beachwear and they have pink hair and tattoos, their car is orange/yellow with an open-top. I think that their clothes refle ct their personality. As the Montagues gas up their car whilst being loud, vulgar and riotous some Capulets pull in to the gas station.The Capulets are in a blue car with heavily tinted windows to make them appear sinister. The camera shows a close-up of their number plate too which shows that the enemy has arrived. They are mainly wearing black and have metal on their heels along with religious symbols on their T-shirts. One Capulet even has sin written on his teeth. Luhrmann has clearly changed the sequence of characters because in his version the Montague boys begin the first scene, however, in Zeffirellis and Shakespeares it is the Capulets bloodline the scene by joking around etc.When the two gangs notice each other it then turns into a Spaghetti double-uern like film with each side representing their families and are ready to fight. Mexican music then begins to also represent this and highlight the effect. At the beginning there is a great deal of laughter, which is largely similar to Zeffirellis version. When the Capulets arrive they are laughing and joking which is what both families do in Zeffirellis. The characters do not say anything that is humourous, however, the actions and noises that some of them make may be humourous to the audience.This implies for Zeffirellis too. For example, In Luhrmanns the sound cause are exaggerated when a passenger in one of the cars is shown hitting one of the Montagues over the head repeatedly. This adds humour to the atmosphere. Luhrmann also omits the puns for the same reason as Zeffirelli. When the Capulets are chasing the Montagues there is screeching of tyres to add excitement and tension to the atmosphere. As the challenge to fight is being issued the music stops and the only sound the audience can hear is screaming in the background.Tybalt is then introduced in the same way as he is in Zeffirellis- from the feet upwards to make him seem very important. He is portrayed as aggressive and violent which is how Shakespeare shows him in the original play too. The atmosphere becomes increasingly strain as he slowly lights a hit and drops it while the background is blurred to highlight the act this is to increase the drama of the scene. Tybalt then grinds the match with his metal heel and the sound is exaggerated to make it seem more dramatic. The camera goes into a close-up of the two gangs guns and gun emblems bearing words like 9mm Sword.Luhrmann has used Shakespeares use of knives and swords and adapted the significance in the use of the makes of their guns instead. This is a way of explaining why gangsters say things like Put up your swords. I think that this is a very inventive interpretation of the original text to a modern-day story. Benvolio is then introduced using a close-up shot and freeze frame. He is portrayed as a peacemaker even by the first words he says which are Part fools you know not what you do Again, Luhrmann is adapting from the original text by creating him the way Shakespeare does as non-aggressive.The music then stops and all the audience can hear are the flames of the fire (this is called ambient sound). The camera then focuses on the car notice that says Add more provoke to your fire. This is ironic because the sign is reflecting real life as the fuel in the gas station in truth is ablaze. During the gun fire exchange the music and sound effects come together to make the quick changing camera shots seem rapid. There is dramatic Mexican/Spaghetti Western music rising in volume in the background and lots of gunshots and screams are heard. Background noises of horns of cars in traffic jams can also be heard in the din.It then returns to the chanting music of the opening titles, which dramatically increases tension as the gas station explodes in flames. The camera then focuses on the Capulet and Montague buildings and goes into an aerial view as though in the helicopter by looking down at the chaos on the ground. The music reaches its compl etion as Benvolio and Tybalt drop their guns to the floor. This is done in slow motion to emphasise what is happening. At this point, everything is extremely tense as the audience watch the two guns slowely drop to the ground in unison.Although Luhrmann has adapted this play and changed many things about it he has kept the original idea and characters of the play. In other words, this is no West font Story, loosely interpreting a Shakespearean play for its own ends. Rather, it IS Shakespeares Romeo and Juliet, uprooted into a new setting for a new generation and I feel that Luhrmann has achieved this very well. This is because Shakespeares plays were designed to adapt to any audience and with this in mind, Baz Luhrmann has created a film that applies to the modern audience through this updating.I also watched a part of West Side Story, however, this takes a very free view of its source material as it uses Shakespeares tragedy for its plan value more than anything else. This is unl ike Zeffirellis or Luhrmanns as they have produced an interpretation of the film and included most of Shakespeares text. It is difficult to compare West Side Story to the other two versions as it departs so much from the story Romeo and Juliet that it is hardly recognizable as an adaptation. However, it does keep to the idea of the two rival gangs.