Pablo Picasso2 :: Essays Papers

Pablo Picasso2Pablo Picasso (1881-1973) is considered to be the greatest contrivanceist of the twentieth century. In his prolific career, which spanned 78 years, he created more than 20,000 meets of art including paintings, lithographs, etchings, and sculpture. In 1947, for example, he created 2,000 pieces of ceramics and in 1968, in a seven-month period, he returned to whatsoever of his earlier ancestors such as circuses, and bullfights to create 347 etchings. His work encompassed many ardours -- from realism to cubism and surrealism -- making it impossible to categorize into a single movement. He and accomplice painter Georges Braque are credited with creating the cubist style. Another of Picassos innovations was the creation of montage -- he pasted pieces of paper and oilcloth to a finishvas and painted on the surface in a 1912 work titled Still liveness With Chair Caning. Although he is best known for his innovative, cubist work Picasso had an laughable drawing skill, r ivaling the expertise of 19th century neoclassical artist Jean-Auguste-Dominique Ingres.Picasso was natural in Mlaga, Spain on October 25, 1881, the son of an art teacher. Prior to 1898, he used his fathers name, Ruiz, and his mothers maiden name, Picasso, to sign his paintings. After 1901, he signed his work simply with the name Picasso. A child prodigy, he painted his starting line picture at the age of ten by 15 he was accepted at the Barcelona School of Fine Arts where he win a gold medal for his academic painting, Science & Charity, 1897.Picassos major periods can be roughly divided into the following, although in his later years he returned to earlier themes. aristocratic PeriodAfter trips to Paris between 1900-1902, Picasso settled there in 1904 where he was influenced by Paul Gauguin and the group of symbolist painters called The Nabis. The influence of Edgar Degas and Toulouse-Lautrec is reflected in The Blue Room, 1901 -- which was the start of his evolution towards h is Blue Period. In this phase, the color blue dominated his work as did the theme of portraying human suffering and misery, in many cases also reflecting the style of El Greco in the use of elongated figures.